Tuesday, February 22, 2011
Filigram - La Victorie De L'Homme Sur L'Homme (2008)
Album: La Victorie De L'Homme Sur L'Homme
Year: 2008
Country: France
I was reading a review on this album on some other blog, and it sounded quite interesting. Then I found out that they were from France, and my expectations grew sky high. French music has always been very close to my heart, probably mostly because they always seem to capture emotions in their music in an extraordinary way. I guess it's in France's artistic and romantic history, because no other country has such a big amount of great bands. And even though Filigram's guitarist calls himself Gaylord, their music is as serious, heartbreaking, and emotional as we're used to.
The best way to describe Filigram is to imagine a French version of the Japanese screamo band Heaven In Her Arms. They have the same concept with slow and mellow parts, combined with melodic guitar riffs. The vocals in Filigram are also very good, they top the despair factor. Filigram plays kind of slow for being a screamo band, but with these vocals they don't need to play chaotic to make it emotional.
Song(s) you should listen to: I really dig the intro of A'Louest, it pretty much makes the whole song. It starts off like an old western movie, pretty calm but dark. Then the tension grows more and more, and soon it will hoover into one of those classic Heaven In Her Arms-parts I was talking about before.
Saturday, February 19, 2011
In The Hearts Of Emperors - Tour EP (2010)

Friday, February 18, 2011
Deafheaven - Demo (2010)
Album: Demo
Year: 2010
Country: USA
I've read some reviews on this demo, and this band sounded really interesting. So I decided to look them up. And then I figured out that they recently signed to Deathwish Inc., the label that nowadays mostly seem to sign hyped bands and suck out money from kids who idolize Converge. We also have the fact that this cover is baby blue and pink, combined with a try to be trve kvlt by writing "DFHVN" instead of just "Deafheaven". This combination doesn't make sense. The third reason not to listen to this is that when you look at their live pictures on lastFM, they all have nice haircuts, everyone but one wears bright coloured shirts, and not a single goat was shedded. No fucking way that I would get involved in this shit by free will.
But in a weak moment I just happened to listen to it anyway. And my facial expression 10 seconds into the first song is probably priceless. My expectations was some kind of basement recording by young hipster boys who realized playing Emo won't get you any girls these days. I was kind of wrong.
This is a very well produced demo riding the popular wave of combined forces of Post-Hardcore and Black Metal. Since this band is from USA, you will hear that the big influence is Xasthur instead of Lifelover, which is a good thing since the Lifelover is kind of worn out these days. This is not original or evolving though, you will get the same feeling when you listen to Agalloch, Wolves In The Throne Room, or Altar Of Plagues. But on the other hand, this is just a demo, and I wish the best of luck to these guys in the future.
Song(s) you should listen to: The first track Libertine Dissolves is a good one. It's explosiveness in the beginning kind of reminds me of treasures such as Celeste. Then it calms down a bit and gets quite emotional, then it blows you away again.
Saturday, February 12, 2011
Fides Inversa - Hanc Aciem Sola Retundit Virtus (The Algolagnia Divine) (2009)

Monday, February 7, 2011
Morne - Untold Wait (2009)
Album: Untold Wait
Year: 2009
Country: USA
If you check this band's profile at lastFM you will see that people think this album is either very good, or that it's just a waste of time. I like this album though (and my bunny rabbit too apparently, he jumped straight to the computer and started too sniff it when I was listening to it). Parts of this album reminds me a bit of a sludgier version of Fall Of Efrafa's Owsla, so it has some sort of rabbit connection.
Anyhow, Morne also consists of band members from former bands such as Grief, Disrupt, Filth Of Mankind, and many more. These guys have been in the game for a long time, and you can tell while listening to the music. Partly because you can hear influences from older bands, but also because they're very skilled with their instruments.
If you have a thing for heavy sludgy music, you should listen to this. I told you before that this album reminds me a bit of Fall Of Efrafa (mostly the Owsla album, when they weren't that complex), but it also reminds me of Tragedy (powerful D-Beats, and the vocals and lyrical themes are very much alike), and I Would Set Myself On Fire For You (probably just because of the the cello which is used quite regularly, but still). If you're into something of that, I could imagine that you will like this.
Song(s) you should listen to: The first track Eyes, is the perfect way to start an album. The last track Sorrow, is the perfect way to end an album. The tracks in the middle you have to decide whether they're really good, or barely worth listening to, for yourself.
Sunday, February 6, 2011
Satan's Satyrs - Lucifer Lives! (2010)

Thursday, February 3, 2011
Vestiges - Interview

If you remember we promised an interview with Vestiges on our facebook-page some time ago. Due to touring, taking care of pre-orders and writing new music this interview is a bit delayed but I think it was worth all the waiting, good things come to those who waits right? Anyhow, here it is and I hope you'll find the answers as interesting as I do and that you check out this great band.
1. You're a fairly new band so why don't you start with introducing the band?
We are Vestiges, a band influenced by post-hardcore, black metal, crust, screamo, and post-rock.
2. How did the idea for Vestiges take form? Did you all share the same vision before you sat down to write music?
We had no real vision of the music before sitting down to write the album, we just wanted to jam and let the music come naturally without catering to a specific genre or a specific listener. We wrote the music for ourselves as a form of expression and it is what it is. We each have our own influences, all very different from one another, and we feel that you can definitely hear this in The Descent Of Man. As far as the theme of the album is concerned, we all share a similar view of the world, but again, we each came in with our own perspective of exactly what we wanted to say and how we wanted to say it. I would like to think that the album means something a little different to each of us.
3. Your lyrics take up some pretty big issues such as environmentalism and religion. What can you tell us about that?
The bottom line is that we are not living the way our creator intended. While the term “creator” is up for debate, the unspeakable horrors that humanity has carried out and continues to carry out are not. What happened to The Golden Rule? We have slaughtered everything and everyone in our path and have poisoned the earth in the process. We have destroyed our home and the homes of every other living creature simply because it yields some bastardized sense of benefit for us today. There is no care in the world for the world. There has been no regard for nature or how we as humans fit into the bigger picture. We act as if this bigger picture is solely a portrait of man and all of his self-proclaimed “advancements,” but in reality, we are merely a fraction of a dot in a Georges Seurat landscape. It’s about time we realize this and start living our lives accordingly.
The issues we chose to address through our lyrics are based on the idea of naturalizing our world view. It is crucial that we take a step back and really assess our role in nature on a larger scale, rather than simply the here and now. Our existence is not promised, we are not here to stay, and that is certainly the case if we remain on our current path of disregard. We must ensure that the motives behind what we decide to do today and what we will do tomorrow are pure, free of ego, and consistent with what our creator, mother nature, intended.
4. Do you feel that bands should be about more than music? Is it important to have a message?
We are not here to tell bands what they should and should not do, but we definitely feel that it is important to have a message. In our opinion, music without a message is essentially a piece of art that does nothing but look good. Vestiges is merely a catharsis for those of us in the band. We aren’t the type to carry around soapboxes wherever we go to preach at a moment’s notice about the sky falling down, it’s just not who we are, but this band allows us to express ourselves in a way that feels natural and comfortable. It allows us to really connect with people through aggression and emotion in a way that wouldn’t be as effective through normal, everyday conversation. This is what we feel most driven about and what we feel is the most important to address at this point in time. If you have something to say, say it, or better yet scream it, and beat the hell out of your instruments while you do it. We just don’t understand how to approach music any other way.
5. You have recently come out with a debut LP, "The Descent Of Man." How did the recording go? Did it turn out the way you intended?
The recording process lasted about four months, a bit longer than what we had originally anticipated, but definitely something we do not regret. We learned a lot about ourselves as musicians during this process and it gave us all a new perspective on the entire project, especially as we fine-tuned the dynamics and the mood of the entire album. It really just showed us that hard work and dedication can go a long way, and we couldn’t be happier with how the album came out, both in terms of the music and the production.
6. Was it hard to start off with recording an entire LP?
We wrote The Descent Of Man as one song, so it wasn’t difficult in that sense, especially since we knew exactly what we wanted before heading into the studio. It wasn’t an album with twelve completely different songs, ideas, structures, etc like most traditional albums, so it was a lot easier to approach day in and day out with our studio technician. The only headache came when we decided to use one studio for drums, one studio for guitars, and another studio for mastering. It was a logistical nightmare, but it was worth it in the end.
7. Unlike many bands you have decided to make your music available for download at your website. Was that for commercial purpose only or do you feel that music is something to be shared by everyone?
We have been asked this question before and our answer is usually followed with a furrowed brow and even more questions. We don’t feel that you should have to pay for music, especially not our music. We are not in this for the money. There is no “being in it for the money” with this type of music. We were completely aware of this and the fact that we would be sinking a lot of our personal funds into this band in order to accomplish what we had set out to accomplish. This was our goal, not yours. Why should you have to pay for it? Furthermore, why should you have to pay for it before hearing it in its entirety? That never made much sense to us. Music is a conversation, and you should be able to walk out of that conversation if you don’t want to listen to what we or what anyone else has to say without feeling obligated to pay. We just hope that our music creates a dialogue that people would want to share with one another. That is all we could ever hope for in return.
8. The LP will soon be available for pre-order. Are you releasing it by yourself or will there be a label involved?
The album is now available to order on double vinyl, CD, and cassette, which can be ordered directly from us through our website. We independently released this album, but we have been fortunate enough to work with DIY labels and distros all over the world to help distribute The Descent Of Man. Everything is extremely limited because we wanted to give those people, who actually care to be a part of our “conversation,” something that they can hold on to and experience. This is something that we wanted to do for ourselves and we didn’t feel that a label was necessary to accomplish what we set out to do. Honestly, it never crossed our minds. There’s just a certain sense of pride that comes with doing things yourself that is worth more than what a label could ever offer.
9. How has "The Descent Of Man" been received by the listeners?
We couldn't be more grateful for the overwhelmingly positive reception this album has had thus far. We had absolutely no idea how it would be received since we kept the band and the album a secret, even from our friends, during the entire writing and recording process. I remember texting a friend of mine with the website link right after we released the album and his response was “You’re in a band?” Vestiges was started merely as a creative outlet for the drummer and guitarist, so watching it grow from a jam band to releasing a full-length album, touring, and planning the next few releases within a matter of months has been rather bizarre, but we are extremely grateful. Again, this is something that we wanted to do for ourselves, so the fact that there is any reception at all has exceeded our wildest expectations for this album, let alone the band as a whole.
We have been sent emails regarding debates online about what our music may or may not be, which should be flattering I guess, but it’s unfortunate that there has to be a debate. This is why I answered the second question rather hastily; our music is what it is. We chose not to label ourselves with a specific genre, but rather list genres that have influenced us and let the music speak for itself. Hindsight is saying that we shouldn’t have listed anything. We each listen to different music and we rarely agree on artists or bands that we collectively enjoy, which is more than acceptable. We set out writing our music embracing these differences and understanding that each of us had something entirely different to bring to the table. We can respect one another’s opinions and influences without compromising our own and come together to write music that we all agree on. It’s amazing really, given the spectrum of musical tastes within the band. It would just be nice to see a similar respect exhibited amongst those who wish to debate what we may or may not be.
10. You can hear a lot of influences in your songs. What bands inspire you to write music?
We would be here for days if we listed all of the bands that inspire us to write. There’s not much out there that at least one of us hasn't drawn some sort of influence from; probably more bands and artists than we would care to admit publically. We all grew up listening to music at a young age, all during different periods of time since our ages range by almost a decade, so our backgrounds are a bit different, but we can all agree that what we are playing is what we want to play and what feels right for us to play together.
11. Other than music is there something else that influences you as a band? Art, literature etc.
It should be no secret that we draw a lot of influence from nature and the current state of the world. There’s just something about being in an area untouched by human civilization that is nothing short of inspirational, and I guess you could say that there’s something about the endless amount of concrete and shopping malls that is nothing short of inspirational as well. That inspiration, however, is much different and conjures rage rather than peace. The rage is definitely what pushes us to say something, but the peace is why we have something to say in the first place. That peace is worth fighting for and certainly worth talking about.
12. What can we expect from you in the future? Perhaps a Euro-tour?
Right now we are focused on writing new material for a few different splits that we have in the works. We are heading back into the studio in March and we couldn’t be more excited to record the material that we have written thus far. We are aiming to release the splits before our tour of the United States and Canada this summer, which we are currently routing with several amazing bands. We are trying to take it all as it comes, so most of our focus is on the splits and the tour right now, though we do have long-term goals that we have every intention of seeing through.
As far as a Euro tour is concerned, we have actually had a few different people and bands contact us, and we will definitely be taking them up on their offers in the near future. If all goes according to plan, we should be overseas during the summer of 2012. We have had a tremendous amount of support in Europe, as well as Asia and South America, so it is our goal to play for as many of these people as humanly possible. Until then, we will be keeping our fingers crossed that we will have the support in the future when we are ready to tour internationally.
13. Thanks you so much for taking your time with this interview. Do you have any closing words?
No, thank you Hampus! Thank you for your time and your extreme patience. In closing, we would just like to take the time to thank everyone for the kind words that we have received about the album and for the continued support from people all over the globe. It is really amazing to see what can be accomplished within our community these days. We wouldn’t be where we are today if it weren’t for music blogs, message boards, and those of you who simply take the time to listen to an album and share your thoughts with anyone willing to listen.
Monday, January 31, 2011
Altar Of Plagues - Sol (2008)
Country: Ireland
If you're the kind of person who gives a fuck about the environment, people starving, and those kinds of things fat lazy politicians are causing by sitting on their thrones doing nothing but eating tortured pig pork and expensive chocolate reaped by poor African children, Altar Of Plagues maybe will be something for you. It will maybe also suit you if you're the kind or person who pretends to care about that because it's trendy.
I won't deny that Altar Of Plagues will grow into a trendy band, if they're not already considered as one. Somewhere around 2006 they probably discovered that Wolves In The Throne Room made a huge success with their first full length album of environmental hippie black metal, so they decided to kind of copy them. And add some influences of other successful epic sludge bands such as Neurosis, Isis, etc.
But, Altar Of Plagues is definately not a bad band. This EP is their second release, and naturally it's a bit more dirty and less refined than their last two releases (White Tomb (2009), and Tides(2010)). Therefore my personal opinion is that this isn't their best release, but they found their trademark; modern Black Metal very influenced by Sludge, Doom, and Post-Metal. It's not very trve, if you prefer corpse painted warriors fighting each other with sticks in the woods of Norway, but it will leave you with an impression. And if Sol is the first thing you've heard of Altar Of Plagues, you will expect shitloads from their later releases.
There are two or three vocalists on this track, and the one who starts to sing at 02.35 will maybe be disliked by some people because it sounds like a young teenage boy in complete desperation. I, on the other hand, thinks these vocals are quite interesting, probably mostly because of the desperation level, but also because it's so not expected.
Sunday, January 23, 2011
Prison Chapel - Total War (2010)

Thursday, January 20, 2011
Vestiges - The Descent of Man (2010)

Sunday, January 16, 2011
Stängda Dörrar Interview

1. How did you first come up with the idea of forming a label?
I've always been into music. Listening, buying, playing in bands, attending shows... You know. But lately I've felt a desire to do something more, and seeing a lot of other people doing this motivated me to simply go for it.
2. You just came out with your first release, a cassette with the Swedish Power Violence-act Femtekolonnare. Tell us a bit how that collaboration came to be and how you think it turned out.
It all started with a conversation after a gig my band had together with them on a one day festival called Russindisco. They mentioned something about maybe releasing a split LP with some Dutch band but that the contact with them wasn't that well and they were not sure if it would even happen. I told them about my plans for the label and offered them to release a tape, they thought it sounded cool, and a couple of months later it was done.
I think it turned out great, but it did take a lot of time to get it done, although it wasn't anything anyone of us could have done to prevent that.
3. How is it to work with your own independent label? Did you ever doubt that you would go through with it?
I don't think I've actually been doing it long enough to give a "real" answer, but so far it's going well and I enjoy doing it. There were no doubts about it really, because I've wanted to do this for quite some time. I just had to get more information about how to start and so on, which was why it didn't happen until now.
4. Have people taken a general interest in your work?
Not really, since I'm kind of new to this shit.
5. Perhaps it's too soon to tell, since you only have one release in your backpack so far, but do you know in what direction you want to take your label? What kind of bands you want to release etc.
I don't really know. I won't release stuff I don't like myself of course, but I don't think I'll stick to a certain genre or so. Some genre might appear more often than others though, since I prefer certain stuff over others etc. But other than that there are no clear directions.
6. The house in your logo has kind of an interesting story. Why don't you tell our readers a little more about that, and why you chose it for your logo?
It's name is Solbacka, but is by most people known as Kartago, and it's located in my hometown Sölvesborg. This house were where most punk/metal/hardcore/etc gigs took place up until 2008, when some retarded politicians decided to close it down because they thought Kartago was the reason for the town youths growing relationship to alcohol. This is of course bullshit, and nowadays the house is empty and used for nothing at all, which sucks. The name Stängda Dörrar is Swedish and means "closed doors", so I thought Kartago would fit really well as a logo.
7. What can we expect from Stängda Dörrar in the future? Are there any plans for an upcoming release at the moment?
I guess you can expect a bunch of tape releases and hopefully some vinyl releases later on as well. Time will tell I guess.
8. Any closing words?
Thanks for the interview, foad.
He's charming as always. Make sure to get Femtekolonnare's new tape before it's gone. Limited to 100 copies.
Thursday, January 13, 2011
Fall Of Efrafa - Elil (2007)
Album: Elil
Year: 2007
Country: United Kingdom
This is one of my all time favourite albums. I've been listening to it pretty much regularly since I discovered Fall Of Efrafa about 3 years ago, and I've never ever for a second got tired of it. And still, after our 3 years together, I can still fall in love with new things or parts I've never noticed before. Elil will forever be the love of my life.
So, what is so special with this album? Frankly, I don't know. It consists of 3 songs, each one being about 20 minutes long. "20 MINUTES?! THAT'S LIKE... FOREVER!" people not used to this post-kind of music will say. But the thing with these songs is that they are so well written that you will never understand how those 20 minutes past by. The general pace of this album is quite slow, but just before you get tired of the slow part, one of these amazing build ups kicks in. Then there's a minute or two of "swing the hand your having your beer in" D-Beat. The anthem-like lyrics will also cause any person to transform into an anti-religous bitter anarchistic freedom fighter.
Song(s) you should listen to: Once you've started to listen to one of the songs, there is no return. You won't be able to skip the track. Therefore I recommend you to listen to the whole album while traveling by train or bus. By the time you get off your ride you will be so inspired by all the genius samples featured on this album. How about:
"People sometimes says "there must be more than just this world, and just this life". But how much more do you want? We are going to die, and that makes us the lucky ones. Most people are never going to die, because they're never going to be born. The number of people who could be here, in my place, outnumber the sandgrains of Sahara. If you think about all the different ways in which our genes could be provicted, you and I are quite grotesquely lucky to be here. The number of events that had to happen in order for you to exist and in order for me to exist. We are privileged to be alive, and we should make the most of our time on this world."
Tuesday, January 11, 2011
Sönderriket Interview
1. From what I've understood, Sönderriket is not just a tool for making music. It seems to have more of a concept to it. What is Sönderriket about?
Well, it's kind of hard to define, but I guess that one could say that Sönderriket is the sum of all my thoughts regarding both the world as we know it and the spiritual world. It is both a place (hence the name), and a state of mind. It manifests itself in our world through my music, my written works and some conceptual art.
2. It's impossible for me to fit Sönderriket into a genre. What genre(s) would you use to describe Sönderriket, and what inspires Sönderriket forward?
I believe that if it wasn't impossible for you to categorize me I would have failed both musically and, well, as a person. But for the sake of being practical I use the genrenames Industrial Metal, Neofolk and Dark Ambient when describing the three already released albums. When it comes to the next record, which is kind of different in all aspects (except for the overall themes) I guess it will fall somewhat close to what some people are calling Blackwave, Blackgaze or Shoegaze Black Metal. But as with every other artist I prefer that people just listen to the music and form their own opinion (except if their opinion is wrong).
3. Though most of the vocals are spoken, the words are well written and flows nicely with the narrator and the music. Is there any lyrical themes for your songs?
That's a tough one to answer. When I wrote the first three albums, they all played their part in what was originally supposed to be a trilogy with the unreleased next album as part I, Etikens Dörr as part II and Rum För Avsked as part III. It was (and still is, except for the broken order) supposed to be a story of personal struggle with weltschmerz, faith, and addiction. Part I represents the lowest version of any human being. The filth and pain. Part II is kind of spiritual, realizing you have to look on higher levels to find something worth fighting for. Part III represents to painfully break away from the past.
And then there's Oktober (slaktmånaden), October, den åttonde månaden. I don't really know how to explain that one. I feel like I didn't write it. It wrote itself. It's the sum of all the thoughts I had, and all the nostalgia I experienced during the month of October 2010.
4. Your albums have been uploaded to other mp3-blogs and is also available on Spotify. Have you picked up the general thoughts about Sönderriket?
People have been most kind to me, and most people seem to, if not understand, then at least appreciate and respect what I do. And that's all one can hope for really. As with most genres, one makes it hard for himself if he avoids the worst clichés of the genre. Therefore one is bound to meet some obstacles. And my first taste of that came when I realized that there aren't that many blogs that my music fit into, since I work in multiple genres, and not everyone is willing to just write about selected parts of my discography (as you most kindly did).
5. Your songs combines a lot of different moods and instruments. How is a song of yours created?
In working with the trilogy the process was the same for all parts. I gathered a set of lyrics that describe the feeling I wanted to get across. I then wrote little notes on each one describing what I wanted that particular track to sound like. And then I just went with it. My parts on the first album (guitar, vocals, programming, sampling) was recorded over a period of about three months. I was going to release it with programmed drums at first, but then I met a drummer, and we have been working on the drum parts periodically since then. We are beginning to reach the end of the process, and the album should be finished before the end of spring.
Etikens Dörr was recorded in a period of about a month. The basic idea was creating an atmosphere working with field recordings (from inside a factory where I worked at the time, from a bus stop in the pouring rain, from holding my laptop out the window in a storm etc). And then I composed melodies on acoustic guitar and added to the atmosphere with synthesizers and streched audio.
Rum För Avsked was also recorded in about a month and the idea was aggression and mental exhaustion. I don't really remember the process. Lots of late nights in my kitchen with my guitar and cheap box wine.
Oktober… was different also in this aspect, the basic idea was to create a single track with some sort of industrial Trip-Hop-feeling, but with metal guitars. Once I had the idea ready the music kind of wrote itself. The two ambient tracks kind of describe the feeling I had while recording the first track. I felt like there were several voices in my head at that point, helping me write and record the album. So I decided to ask two people if they wanted to join in on vocal parts, and they did. I think it is an accurate reproduction of the October sounds in my head.
6. Most of the bands making this kind of music are never taking it outside the studio. Will we ever get the privilege to experience Sönderriket live?
I don't think you ever will, I'm afraid. There's many reasons for that, but the main one is that I really don't think it would be a pleasant experience, for anyone. My method of working is the same as when someone creates a painting. Layer upon layer of raw emotion felt just in that moment. Large portions of the recorded music is improvised in the moment, and I could not reproduce it accurately. Also I am just one man, and the amount of non-live elements required in such a performance would just be ridiculous. Then there's the issue of the social anxiety and self-loathing created by such situations.
7. TCBBOF is kind of a provocative blog against religion and such, with a burning church in the header. How is your vision on religion?
This is going to be interesting. I hope you won't ban me from your blog after this. Haha. Religion is something I think about a lot. I do not consider myself part of any religion, but I do however consider myself a spiritual person. I have been interested in christian symbolism for many years, and I suppose that some people (in the anti-religious crowd) could be offended by some things I have written or created in the past. That's more of an esthetic thing than religious though. My faith lies more in the unknown paths of the human psyche and the feelings one may feel while walking in the woods or remembering those who have walked this earth before us. I do not believe that "god" lives in certain buildings, and while churches are often fantastic achievements in the field of architecture they are also often a symbol of oppression.
8. An interview isn't supposed to be a one-man communication. What about if you asked a question for us to answer?
That's a great initiative. I don't think it would be very interesting if I asked you something unpersonal about the blog or so. So, let's see.. I wonder, what do you fear most in the world? (unintentional Twin Peaks quote).
M: That's one hell of a question! I've thought about this, and I don't have any common fears I guess. I'm not afraid to die or watching the world going under. However, I do think a lot of things are uncomfortable, and one thing I do fear to the point where the panic kicks in, is hospitals. I've been to the hospital a couple of times during my childhood (severe dogbites, fractures, scoliosis, and so on). And every single time I have returned home with a somehow traumatic memory. When I was a child I was convinced that they were about to put me down, or lock me in forever. I'm very fond of my freedom you know.
Nowadays I just keep away from hospitals as good as I can. I've had some wound that should have been stitched, and a broken clavicle, but they've healed somewhat okay and I'm fine.
Sönderriket - Oktober (Slaktmånaden), October Den Åttonde Månaden (2010)
Album: Oktober (Slaktmånaden), October, Den Åttonde Månaden
Year: 2010
Country: Sweden
If you have listened to the other album by Sönderriket uploaded here, you will probably like this album as well. But as seasons change, the mood of this album is on a completely different level. This captures the mood of autumn in Sweden. It's cold and dark, and as you continue listen you will notice that it will get worse. The last track has that almost hopeless atmosphere that the winter gives you. And if that wasn't the point of this creation, then I might as well just go catholic right away.
You will hear great industrial influences here. Monotone beats hammer in the background while the narrators starts to tell us stories, both in Swedish and in the haunting backwards-language of Satan. There's also the typical drone/noise/ambient/whatever you want to call it-vibe going on in the background. Sounds absolutely horrible when you're having some kind of otitis, but this isn't the work of that typical common beauty. This is supposed to be a bit dirty. And though it is repetitive at moments, it's also very experimental, and tries to push new buttons and stretch boundaries all the time.
Song(s) you should listen to: This release does only contain 3 songs, and these 3 songs should be considered as one song in my opinion. It will grow on you that way when have listened to it for a couple of times. And besides, one round is only about 30 minutes. If you can't handle that in one shot, you're a wuss.
Saturday, January 8, 2011
Skt. Conrad - S/T (2007)
Album: S/T
Year: 2007
Country: Denmark
Denmark isn't a country famous for making good music (even though they have some diamonds, and more to come), so I was very surprised when I heard about their origin, and the fact that they wrote some songs in Danish. This album actually starts off very nicely with a song in Danish, and it doesn't sound bad at all! To us Swedes, Danish is normally a kind of a "drunken" and totally hilarious language, but it doesn't sound like this here.
When it comes to the music, it's not something new and bizarre you would have a very hard time to listen to. It's quite the opposite, they are going with the 90's emo thing, so it's pretty simple. They mostly use clean vocals, with some screaming in the chorus. If they had continued to play until today, they probably be a big commercial band.
Song(s) you should listen to: Freezing In November is the typical Skt. Conrad song. It starts out a bit shy, but it will grow into a black and battled teenage angst choir. The biggest reason for listening to this song though, is that the singer sound so sad and heartbroken. You will feel pity for this little boy.