Tuesday, March 20, 2012
Hiatus.
Sunday, October 9, 2011
40 Watt Sun - The Inside Room (2011)
Thursday, September 22, 2011
Breach - Venom (1999)
Album: Venom
Year: 1999
Country: Sweden
When talking about 90's hardcore from the north of Sweden, Refused is the first band that comes to everybodys mind. Probably because of all the fuzz they created. But you see, I was born in the very south of Sweden in the very late 80's, so the Refused phenomena hasn't affected my musical manners at all. All I know is that I can get slightly agitated because there is a band that is far more valuable mentioning in my opinion...
Breach started off as a the normal hardcore band 1993, and stayed that way about 4 years. When their third release It's Me God came out, their sound changed more towards the darker direction. It was their breakthrough in Sweden, so about 2 years later, they decided to record pure madness and aggression and released Venom.
And this album is way ahead it's time I have to say. A lot of bands today would kill to have this kind of tension in their album. It sounds like your stuck in a mental asylum. The whole album is filled with very intense drumming, and heavy guitar/bass cooperations. This makes you want to destroy every piece of furniture in your apartment. The song and lyrics are also pissed off, and slightly delusional. I believe that this is somewhat of a concept album about about someone who committed murders and crimes on a regular basis, convinced that he belongs to hell. There comes a point in his life where he finds some kind of happiness, but soon all the consequences from his former actions will catch him up, making him go through hell again.
Song(s) you should listen to: I mentioned that this album was way ahead it's time. That means that it's not flawless. Unfortunately all of the songs on this album have the same elements, which makes it hard to seperate them the first times you listen to the album. They just seem to sound a bit too similar. But the most disturbing and peculiar track of this album is the last song Pentration. The song title makes a little girl like me blush, but this song will hammer into your fucking skull.
Friday, August 19, 2011
Chicagojazzen - Brachiosaurus II
Sunday, July 24, 2011
We were interviewed..
Thursday, July 21, 2011
Kristian Anttila - Innan Bomberna (2005)
Album: Innan Bomberna
Year: 2005
Country: Sweden
Okay, so after Kristian released his first album Natta De Mina, he just disappeared. The only thing we know happened then was a fight between Kristian and the record label. He therefore created his own label two years later and released Innan Bomberna there, and stated "it was the shortest way from his heart to the listener's". Innan Bomberna got praised by reviewers everywhere, and the song Paris got much attention from media since he sang about the riots in Paris imidiately after it happened.
In the process of making this album Kristian got help from other great musicians, making the sound more varied. The sound overall is softer, sugary sweet and playful at times, but still straight forward, fitting Kristian's bipolar personality. If you come across an interview of this man, you should sincerely read it. They're most often completely hilarious, and you don't really know if he's speaking the truth or if he's just making it up. To the question "What would make you happy?" he answers:
"I would probably have to re-live my life from the start to achieve that. What I miss is the ability to feel solidarity, affinity, and to have normal relationships... I don't know. I was about to move to a big house on the countryside last autumn, I though that was the solution back then. I would like to have a lot of animals. And I still have those ideas, I'm just not completely done yet. But I don't feel like any of that today. It's just because I'm horny. I've thought about neutering myself by the way. I would like to see how it is to live without the sex drive. If that's the only thing behind our motivation. To live."
Song(s) you should listen to: This album is full of great catchy danceable tracks! My favourites are probably Bland Bovar Å Banditer, where he sings about getting rid of criminals and troublesome youngsters, while realising he's one of them. I also like the super eccentric and happy Ingenting, Ingenting... Ingenting!!! where Kristian out of nowhere sings about the feeling of rejection, and suicide as the way out.
I told you before that Kristians trademark is that the last track is always the best. On this statement is actually true about the two last tracks. The track Tio is a well-written song about being an outcast, and how no one is able to help you, and it turns quite epic in the end. It also has a wonderful acoustic version, which is almost better than the "real" one. The last track Innan Bomberna is fragile, vulnerable, and heartbreaking, but just as great.
Kristian Anttila - Natta De Mina (2003)
Album: Natta De Mina
Year: 2003
Country: Sweden
Consider this as a warning, but the next four posts will not handle any pretentious metal band from hell. Instead they will be about Kristian Anttila, a peculiar outcast from Gothenburg, who decided he wanted to make music as a teenager. He tried to get into the music business somehow, but always got missunderstood because of the things he wanted to create, or by his slightly bipolar personality. He realised that he would probably have to do this journey alone, so he learned to play some instruments and wrote an album when he was 24 years old. He sended it around to some record labels, and got hooked by National, but they wanted someone else to produce the album to be able to release it. And Natta De Mina is the result of that.
Even though it's a pop album, you will get strucked be the kind of dirty and punky feel it has to it. It's very loud, and a bit hysterical and distorted at times. The lyrics are also quite extreme to be this kind of pop music. He's not afraid to say what he thinks about loaded subjects such as religion and politics, always in a very provocative way. And if that wasn't provocative enough, he most often tops it with sex, violence, and drugs. These are just some of the facts that makes his lyrics great, and if you don't know Swedish... Too bad for you.
Song(s) you should listen to: During the first two tracks Harhjärta and Hetsdöpt you will probably wonder what the fuck is going on. They're both extremely loud and eccentric. After this you will probably get your consciousness back somewhere during the rest of the album.
Kristan Anttila kind of has a trademark in making the last song of the album very soft, vulnerable, and completely wonderful. The last track is always the best when it comes to his works. And so is the case with the last track on Natta De Mina. It's a humble and sweet lullaby, making your ears a bit happier after the pop punk torture.
Wednesday, July 20, 2011
Suis La Lune - Heir (2008)
Album: Heir
Year: 2008
Country: Sweden
To me it feels like this really good record was released yesterday, and since we haven't uploaded it yet, I decided to do so. I got in complete shock when I realised this was released in 2008. That was like 3 years ago. And so the age crisis kicks in...
Anyways, Suis La Lune has forever been, and will always be, one of Sweden's emo sweethearts. Maybe the whole world's emo sweethearts actually, they've toured Europe and the US after two releases and have been praised since then. Even the fact that their lyrics mostly suck is forgiven. I think people look pass that in this case since you will have trouble hearing the actual words most of the time. They're most often whined or mumbled, or just drowned by the guitar. The vocals are heart aching and perfect for the genre though. They're very picky and careful with writing music, and it shows. Even though it's screamo, and very chaotic at times, their thing is to include very melodic light parts with soft sweeps of hope as well. Which actually makes it pleasant to listen to by others who don't have a sadomasochistic music taste, or like to roll around in self pity.
Song(s) you should listen to: Well, it's just an EP, so you better listen to all four songs. They all shift from soft beautiful melodies to chaotic and epileptic bunny thump parts. Just enough to keep you focused for the next 15 minutes.
Monday, July 18, 2011
I Hate Myself - 3 Songs (2005)
Tuesday, July 5, 2011
Terra Tenebrosa - The Tunnels (2011)
Album: The Tunnels
Year: 2011
Country: Sweden
Some people like to dress up as spooky creatures, run around in the woods, and rehearse in a studio full of dead rats and mould. Include a concept involving a main character with the hazardous name The Cuckoo - an enlighted spirit who tries to bring justice to this world, with help of his two assistants Risperdal and Hibernal (which are also two types of drugs used by patients with mental disorders). Didn't thought such a band existed? Well, let me introduce you to Terra Tenebrosa.
The band members have decided to be anonymous, but it's no secret that two of them were members of the old hardcore band Breach. The idea about Terra Tenebrosa actually started when one of the members rediscovered two songs he wrote for Breach that never got recorded. They experimented a lot with these songs, because they didn't wanted them to sound "too Breach". One of Breach's characteristics is still there in most of the songs though - the heavy cooperation between drums/guitar that will hammer into your head like ten thousand tanks. Other than that, it's not so easy to figure out the influences behind this. It has some really good drone-parts, but other than it's hard to categorize. The overall mood is dark and atmospheric, sometimes actually a bit disturbing. The vocals are haunting and barely there, in fact Terra Tenebrosa was supposed to be an instrumental project from the beginning.
Song(s) you should listen to: Well, if you haven't gotten into a state of apocalyptic headbanging after the first track The Terranbos Prayer, you're simply not human. But if I would have to chose a favourite track, I would probably chose The Mourning Stars, which is actually pretty pleasant to listen to during the first half of the song. Then it makes me almost a bit nauseous, but in some kind of sick sadistic good way, which develops in the following track The Arc Of Descent.
Sunday, June 26, 2011
Veil - Dolor (2005)
Album: Dolor
Year: 2005
Country: USA
Sometimes you come across a band where all the members themselfs seems to be fuckheads, but they have a special something making you listening to them anyway. This is the case with Veil. They're members of The Pagan Front, which is basically a pack of NSBM-bands promoting unpleasant stuff like "aryan pride". I feel quite bad for uploading Peste Noire not that long ago, who also have those kinds of opinions (though in a more provocative way), and I just have to say that it's not something we share. I am a bastard's daughter, and I definately not judge people by their skin colour, origin, or something else than their personality. With that been said, back to the album.
This album is actually quite ordinary. The guitars are very distorted throughout the whole album, contributing to a very cold and harsh mood. The drums are quite slow, and they basically just hang out in the background. The vocals are haunting and melts in with the music, making it an instrument. But some guitar riffs are really good and they do get stuck on your mind. The album cover and logo of the band are also an eyecatcher, if you compare it to other bands in the genre. So as a conclusion: If you're normally not into DSBM, you will probably not like this either. But if you are, you will probably find this a good album.
Song(s) you should listen to: Okay, first of all, the intro Suicide Winds is a good track to start with, since it sets the mood for the entire album. But tell me why they did include it another time, in pretty much exactly the same way as a fifth track? It just gets too repetitive.
There is also a Burzum-cover on this album on Ea, Lord Of The Depths. And it sounds pretty much like the ordinary cover. But it's good done, even though they didn't put any own touch into it.
The track you should start to listen to is actually the last track Endless Nights. It's the track which stand out the most on this album, making the other tracks sound like fillers. You will probably start to hum the guitar riff from this in your sleep.
Saturday, June 11, 2011
Altar Of Plagues - Mammal (2011)
Album: Mammal
Year: 2011
Country: Ireland
I've followed Altar Of Plagues since their first full length-album, and their development is so interesting to follow. Ever since their demo, when they mostly were extremely influenced by Wolves In The Throne Room, you can hear that they have the potential to make something great that's never really been done before. And for every release they've done, they've gotten closer to that.
Altar Of Plagues has their own sound, but it twists and turns a bit from every album, so you can never foresee anything. When I heard the atmosphericness in the first few seconds of the album, I could not imagine the intenseness that would follow. And those are the key words for the whole album. You'll get escorted into this repetitive atmospheric part, and then all of a sudden, you just get carried away in the speed of darkness. Some may probably say that this album is too repetitive with these parts, since the tracks are also quite long, but they haven't understood the patterns of this journey Altar Of Plagues will serve you.
I also know that some people have commented on the production of this. This album is very well produced, but they don't do it the common way. Their drums are set very high, the guitars are quite low, and the vocals are really distant. It sounds like they come from a man screaming out his desperation alone in the woods. I just think it sets the whole album.
Song(s) you should listen to: Well, I got this album yesterday, confirmed that it was really good, and uploaded it. Therefore I would say that you should just listen to the album from the beginning to the end, but some song will maybe grow you a favourite after a couple of listenings. The first track - Neptune Is Dead, will blow your mind though. The Sun Drowns In The Ocean is very experimental, with a humming and joiking woman together with an atmospheric mood. I could imagine many would skip this track, because it's very unexpected, to say the least. But the end of the song flows perfectly into the last track All Life Converges To Some Center, which I really adore. I actually got tears in my eyes while listening to it, it's really beautiful.
Monday, June 6, 2011
Deafheaven - Roads To Judah (2011)
Album: Roads To Judah
Year: 2011
Country: USA
Last time we wrote about Deafheaven I wished them the best of luck in the future. That was probably unnecessary, because this album just blew my mind. And last time I also said that you would get the same feeling while listening to this band as you would with Agalloch, Wolves In The Throne Room, or Altar Of Plagues. Damn you guys to hell, I have to take those words back, because I was wrong. Again.
Even though it's their first album, they already have a picture of how they want their music to sound like, and follows that thread for every second. The most impressive part is that this is unique. This is not Black Metal, Shoegaze, Post-Hardcore, or whatever. They're not scientists or such, but they've borrowed influences from so many different genres that it is impossible to fit it into anything. Stuff such as fluttering "butterfly guitars" isn't something new, but it's already the signature of Deafheaven. And damn, those butterfly guitars are great. Combined with the pounding drums they make the whole album both intense and vulnerable at the same time.
And yeah, I know that the album cover is too lame for vikings such as us, and that they're still somewhat considered as a "hipster-band". They even have a Tumblr instead of a real band page. But come on, just watch some live clips - they know what they do, and they're tight as hell. End of discussion.
Song(s) you should listen to: Violet is a perfect opener of this album. It's slow melancholic intro will certainly get you into right state of mind before it really starts. But don't let go of all your consciousness, when the song really starts, be prepared to grab on to your chair.
Language Games is a bit more aggressive and intense, such as Tunnel Of Trees. Just the way I like it. The only song I'm not very into is Unrequited, but I know that some of you would like that as well. So just listen to the whole album.
Sunday, June 5, 2011
Vestiges summer tour
-Vestiges with Lake of Blood (Human Jigsaw Records) (facebook.com/lakeovblood)-
6/9 Olympia, WA @ TBA
6/10 Seattle, WA @ Autonomia w/Alda
6/11 Vancouver, BC @ Garbage Mountain w/Tempest and Haggatha
6/12 Portland, OR @ Blackrose Infoshop
6/13 Salem, OR @ The Wasteland w/MANIA
6/14 Medford, OR @ Music Head
6/15 Oakland, CA @ Yourhaus/Hazmat
6/16 Santa Cruz, CA @ House Show
6/17 San Fransisco, CA @ Sub-Mission Art Gallery
6/18 Garden Grove, CA @ The Cabin
6/19 San Diego, CA @ Che Cafe w/ Vessel, I
-Vestiges-
6/20 Las Cruces, NM @ Trainyard
6/21 Eagle Pass, TX @ 3759 Tina Dr.
6/22 Austin, TX @ The Broken Neck
6/23 Shreveport, LA @ Dalzell House
6/24 Chattanooga, TN @ Anarchtica
6/25 Charlotte, NC @ Lunchbox Records w/Young and in the Way
-Vestiges with Full of Hell (a389) (facebook.com/fullofhell)-
6/26 Baltimore, MD @ TBA
6/27 Doylestown, PA @ Siren Records
6/28 NYC @ Stolen Sleeves Collective w/Pharaoh
6/29 Boston, MA @ TBA w/INTHESHIT
6/30 Holyoke, MA @ The Rowhouse
7/1 Montreal, QC @ TBA
7/2 Quebec, QC @ TBA
7/3 Ottawa, ON @ Cafe Dekcuf w/ALASKAN, Loviatar
7/4 Toronto, ON @ The 460
7/5 Kitchener, ON @ The Hive
7/6 Windsor, ON @ Holden House
7/7 Cleveland, OH @ Tower 2012 w/Homewrecker
7/8 Columbus, OH @ TBA w/ Bastards, Vit
-Vestiges with Lapse (facebook.com/lapsenoise)-
7/9 Pittsburgh, PA @ Helter Shelter
7/10 Milton, PA @ The Tin Can